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Ako Naman Muna Chords

Artist:

Angela Ken

Difficulty:

Hardness

Key:

Eb major

Capo:

3

ReleaseDate:

4 Nov 2022

Genre:

Pop/Acoustic

The chords match the chords and lyrics. The key is changed to another key. The chord sequences are created by musicians and are not too difficult. The guitar is tuned to E A D G B E to match the recording. Play using the same Eb major chords (Eb, Cm, G#, Bb, Em,) repeated throughout the song. A capo is generally not necessary; if desired, use a capo on the 2nd fret. D major chords are played with (D, Bm, G, A, Ebm,), with an easier version using a capo on the 4th fret. C major chords are played with (C, Am, F, G, C#m,) simple with basic rhythms such as guitar strumming, a C capo, or a prominent beat (percussion) or Picking chords. For easy C major guitar chords, the recommended strumming pattern is Down-Down-Down-Down

Introduction


What key is the song? | "Ako Naman Muna By Angela Ken" | Eb Major


Is it suitable for beginners? | The main key is Eā™­ (E-Flat Major, which is quite difficult to play. For beginners, a capo is recommended.


Which capo position should I use? | There are two ways to use a capo. recommend using a capo on the 2nd fret for chords in the key of D capo on the 3nd fret for chords in the key of C


What is the genre/mood of the song? | (Pop/Acoustic) Evokes feelings of tenderness, warmth, encouragement, and comfort. It's perfect for reminding yourself to love and spend time with yourself.


What is the guitar strumming pattern? | 4/4 (counting the beats 1-2-3-4 Tempo:(103) BPM from beginning to end. Basic rhythm, mostly (Down - Down - Down - Down)  Picking chords.

Chords:

Eb major Original key Eb Cm G# Bb Em

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(Lyrics):Ako Naman Muna - Angela Ken


(Verse 1)

Kada hakbang sa lupa'y para akong inaanod                     

Nalulunod sa batikos ng mundo                      

Sa kung ano lamang ang kaya ko

Pigang-piga na sa mga problemang 'di

masolusyonan agad

Parang wala nang bukas            

Pwede bang umiwas?

  

(Pre-Chorus 1)

Hinahanap ang sarili

Ngunit 'di na kakayanin

Sa ligaw na dinadaanan ko   

Sa'n na 'to patungo?         

Sa'n na 'ko patungo?


(Chorus 1)

Dahan-dahan na'ting simulan muli ang

paghakbang

Dahan-dahang tumingin sa salamin upang

makita ang ating kagandahan

Dahan-dahang iangat ang mukha upang

masilayan ang payapang kalangitan.

  

(Refrain1)

Oo, pagod ka na     

Pero 'di ka nag-iisa 

Kaya't lumaban ka at sabihing,              

Ako naman muna

  

                                         (Verse 2)}                                            

Kada langhap sa hangin pansin ko na lagi nalang usok.          

Walang malinis halos puro polusyon,                     

parang ako raw na konsumisyon.

Gulong-gulo ang isip ā€˜san ba lulugar kapag nag-kamali.

Grabe sila manghusga,                  

bakit perpekto ba sila?

  

(Pre-Chorus2)

Huminga ka ng malalim at isipin ng mabuti       

ang mga desisyong ilalaan      

para sa kinabukasan.                

Nang makapunta sa 

paroroonan..


(Chorus 2)      

Kung dahan-dahan na'ting simulan muli ang   

paghakbang (paghakbang)

Dahan-dahang tumingin sa salamin upang

makita ang ating kagandahan     

Dahan-dahang iangat ang mukha upang

masilayan ang payapang kalangitan.

  

(Refrain 2)

Oo, pagod ka na

Pero 'di ka nag-iisa ('di ka nag-iisa)

Kaya't lumaban ka at sabihing,           

Ako naman muna          

Ako naman muna

  

(Bridge)

Huwag papalamon sa lungkot,            

huwag hahayaang malugmok                    

ang puso mo sa ibabato sa’yo ng iba.

Tandaan mong sapat ka...

 

(Final Chorus)

Dahan-dahang tanggalin ang maskara at  

hayaang tumulo ang bumabadyang mga luha.      

Dahan-dahang iangat ang mukha upang masilayan    

ang mga taong ika’y pinapahalagahan.

  

(Final Refrain)

Oo, pagod ka na           

Pero 'di ka nag-iisa   

Kaya't lumaban ka at sabihing,              

Ako naman muna Ako naman muna

   Lyrics and chords are for educational purposes only and to learn the chords in each song. They are not intended for any commercial purpose.

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